Tuesday 27 August 2024

The "Industrial Exhibition" of 1862 - Dunedin's Forgotten Exhibition

 

"The Club House", Maclaggan street, Dunedin, taken 1861.
Venue for the 1862 "Industrial Exhibition & Bazaar"
[Source : Hocken Collections] 

The Forgotten "Industrial Exhibition" of 1862

Most readers will have heard of the hugely successful 'New Zealand and South Seas Exhibition' of 1925-1926, some will know of the earlier 'New Zealand and South Seas Exhibition' held during 1889-1890, and a few readers may even have heard of the 'New Zealand Exhibition' held in 1865, all being held in Dunedin, New Zealand. But I would wager that the majority of readers will have no knowledge of the first Exhibition held in Dunedin, being the 'Industrial Exhibition' of 1862. To put this in perspective, this was just fourteen years after the official founding of Dunedin by Free Church of Scotland settlers in 1848.

In this Blog we shall look primarily at 'how', 'why' and 'where' this Exhibition came about and how its great success would be the catalyst for the much larger 1865 'New Zealand Exhibition' held in Dunedin. My own connection to the earlier 1862 Exhibition is that my Great Great Grandfather supplied a block of dressed stone from Waikava (now known as Waikawa) for the Exhibition hence my initial interest in learning more about this event.


A Bound Copy of the Descriptive Pamphlet Referred To Below
[Source : Smith's Bookshop, Christchurch] 

The Year of the “Great Exhibition” 1862

Coincidentally, 1862 would also be the year of the Great International Exhibition held in London and in which, I might add, the Province of Otago would be represented, with Mr Mathew Holmes being tasked at the last minute with taking with him; “Otago’s hastily collected contributions” for the “New Zealand Court”. What I can confirm being part of our contribution included a framed copy of “The [Otago] Daily Times” printed on satin, photographs, and not unsurprisingly, various examples of Otago minerals and gold. The latter display would in fact win a Gold Medal. Distributed at the Exhibition would be a pamphlet entitled “Descriptive Sketch of the Province of Otago New Zealand” which included chromo-lithograph coloured engravings (taken from the photographs of Mr Melhuish) of the Otago diggings - and of Dunedin.


An Early Advertisement for the
Industrial Exhibition, 7 Nov 1862

A Worthwhile Adjunct to the Fancy Bazaar

So, with the ‘Great Exhibition’ having been very much in the news it should come as no surprise that on the 6th November 1862 we read that Dunedin had decided to hold its own “Exhibition” as a worthwhile adjunct to a “Fancy Bazaar” being organized as a fundraiser for the Episcopal [Anglican] Church building fund;

A very interesting feature is proposed to be added to the Fancy Bazaar in the shape of an industrial museum, or exhibition of local arts and manufactures, and natural products. It will be a species of Great Exhibition on a small scale… A committee has been appointed to make the necessary arrangements”.

The committee quickly secured funding with this report dated the 15th November 1862 indicating no lack of support or exhibits for the venture;

The Committee of the Industrial Exhibition in connection with the Fancy Bazaar have been most active in their exertions, and have been promised an amount of support that promises to make the Exhibition a great success. Of New Zealand products they have been assured samples of gold, iron dust, coal, copper, chrome ore, wood, prepared flax, and wools. In local manufactures they are likely to be well supplied, as also with photographic views of local scenery. An interesting feature will be a number of American labor-saving machines. Samples of a variety of Australian products are also promised them.

And it would not stop there as, despite the short time frame, the Provinces would be welcome, and were in fact very keen, to contribute items which would include mined minerals and coal. Businesses would be quick to recognize the opportunity to display their range of goods to a wider audience, being not only New Zealand manufactured goods, but also foreign made labour saving items for which they imported and sold. These give a wonderful glimpse into the type of industrial and mechanized labour saving equipment that might be available at this time.

That the Exhibition should have wide appeal is clear, with the Editor of the ‘Otago Daily Times’ noting; “…there is good reason to hope that the Exhibition will, although far from being a complete exposition of the varied industries of New Zealand, be extremely interesting to all who have the progress of the country at heart, and by no means unsatisfactory to those who ask only to be amused.

McLaggan street, Dunedin and showing the "Club House"
from a photo by William Melluish, 1862
[Source : Te Papa Tongarewa] 

A New Venue - "The Club House"

By the beginning of December 1862 it had, due to; “the uncertainty of the weather, and for other reasons… been decided to hold the Industrial Exhibition at the old Club House, instead of at the Grange as originally proposed.” The original plan had been to hold the Bazaar and Exhibition in large tents and marquees surrounding the home of well-known identity Mr John Hyde Harris in North Dunedin. The new venue would be offered through the kindness of well-known (even today) businessman, Mr John (Johnny) Jones.

A Close-Up of those gathered outside and on the Balcony
of "The Club House" Maclaggan street, Dunedin, 1861
[Source : Hocken Collections]
 
What was "The Club House"?

The ‘Club House’ provided an ideal central city and which would enable most of the exhibits to be placed under secure cover. This building then served as the first (rented) premises of the “Dunedin Club”. Author Ian Dougherty writes that the “Dunedin Club” was formed in 1858 with the first members being from what was known as the “Squatters Association”. These were a group of rural runholders who, desiring to avoid “Dunedin’s boisterous hotels when they visited town for supplies” and with the town “growing short of comfortable accommodation”, rented premises in MacLaggan street. It is these premises that are pictured here in 1861, with members and visitors standing by the fence and on the veranda. The Dunedin Club would occupy these premises until 1867.

After alterations in 1863 the building would re-open as the “Dunedin Club Hotel” before passing through more changes of name including a more substantial re-build. In more recent years I believe the Broadway Hotel stood here until around 1974. After being looked at as a possible Youth Hostel I believe the hotel to have been demolished in the late 1970’s or early 1980’s. Speights Brewery occupied the site as part of their operation until the 1990’s and the site is now approximately where the entrance to Harvey Norman’s store is located.

But we must return to the Industrial Exhibition which was now attracting considerable attention in the Provinces. An Auckland newspaper devoted a leading article to the subject, urging upon its readers, “the advantage of having the province of Auckland fully represented”.

The First Attempt of the Kind in the Colony

The local “Otago Witness” urged its readers; “whether farmers, stockowners, goldminers, or tradesmen of the importance of putting forth every exertion, not only to make the exhibition a success, but to enable this Province to put in an appearance worthy of itself and of its standing among the Provinces of New Zealand. The Exhibition now about to be held will be the first attempt at anything of the kind in the colony, and it is fitting that the wealthiest and must go-a-head Province, should have been the one to originate it; but it is useless to disguise the fact that if a considerable effort is not at once made by the residents of Otago, this Province will be beaten upon its own ground by others, which, although possessing less resources, have taken up the subject more earnestly.

Bazaar & Exhibition Advertisement, Dec 1862


Open Daily - Except the "Presbyterian Fast Day"

Opening on Tuesday the 16th December 1862, the Industrial Exhibition would be open daily through to Saturday the 20th December but would not open on Thursday the 18th, being a “Presbyterian Fast Day” (a religious observance that many Presbyterians today will not be aware of, least not adhere to).

The first industrial exhibition ever held in New Zealand, is to be opened in Dunedin to-day. This exhibition is in connection with a bazaar in aid of the funds of the Episcopal Church, and from the great interest that is manifested in both undertakings, a great success is anticipated. The exhibition will be a partial one, as time has not been given to organise a thorough exposition of New Zealand industries and productions, but will still be very interesting, and will lead the way to a more pretentious exhibition next year.

Arrangement of The Venue

For the Bazaar, the club-room is appropriated, but is extended to more than double its original size, by the available ground upwards, and outwards to the street boundary, being boarded and canvassed in. The place is neatly adorned with flags, evergreens, and flowers, the effect being greatly aided by the line of pillars supporting the club-house verandah, which afford a natural line of decoration; for the weather boarding has been removed, so as to form really one apartment, extending from the street to the back of the club-room.”

A view looking north over Dunedin.
Taken by William Melluish, 1861
[Source : Te Papa Tongarewa]


We Now Enter the Exhibition & Bazaar

Before entering the Exhibition proper, visitors would pass a series of “large and excellent photographs by Mr William Melluish, illustrating the ‘Progress of Dunedin’”. Also an exhibit of “lithographs and engravings” including a copy of “The Sun” dated the 28th June 1838 containing an account of the Coronation of “Her Most Gracious Majesty” with the first page printed in gold; and a coloured lithograph of the new Church.

Entering the Exhibition proper, through laurel-twined openings we can now view a long line of Bazaar stalls on the right and to the left is the refreshment stall and the Post Office. In front is the orchestra led by “Mr Kohler and his talented assistants” where they “discourse most elegant music”.

A Quick Look at the Bazaar Stalls

As to the various stalls, which were manned by a large number of women, these offer a fascinating glimpse of the type of items that might be offered for sale at such events. These included;

Coral work from Mauritius, leather work, fancy goods for children, pretty vases, needle and wool work, a Christmas tree covered with toys and trinkets, Christmas toys for children, plants in pots, hand bouquets, work boxes, hand-worked cushions and ottomans, papier maché goods, clocks, toilet articles; draught board & dressing case of New Zealand woods, malachite writing desk, Indian robes; flowering plants; and ferns and hanging baskets of sea weed which were “charming in their unpretending elegance, and which are the work of orphans”. We can also observe a fortune-teller who; “found ready listeners”.

We Now Enter the “Industrial Exhibition”

The Industrial Exhibition would be divided between two large rooms, one being the “club room”, as well as “a tent covered courtyard”.

Perhaps due to space and the late arrival of various items the displays do not appear to have been exactly arranged by theme so I have attempted to do so, breaking up the more interesting exhibits into their various groups.

The "Pride of Dunedin" Shand Mason Fire Engine of 1861
as Exhibited at the Industrial Exhibition.
Now stored at Toitu Otago Settler's Museum
[Source Wikipedia Commons]

Industrial, Scientific Equipment and Machinery

The Volunteer Fire Brigade’s new fire engine “The Pride of Dunedin”, Apparatus for ascertaining the boiling point of water at different elevation; a complete Alpine set of Meteorological instruments; a walking stick “of improved construction, and adapted for the use of naturalists”; castings for machinery from the Otago Foundry; washing board; several washing, wringing and mangling machines; butter churns, cheese press, a portable water-closet (toilet), compound agitator, knife cleaner, rotary and archimedean egg whisk; model steam engines; a “high pressure engine”; a gold-saving cradle; patent bread maker; Griffiths's compound action agitators for mixing fluids and liquids, Stephenson's breadmaker, Kent's triturating strainer, meat cutter and sausage machines; American cow milker, dog power, porthole auger, wheel seed sower, root extractor, quartz crusher, cradle and digger's appliances; paging machine; printing machine, and a lithographic printing press at work.

[And per Mr. John Roberts of Princes street] Glass tubes with specimens of the strata borings from Bell Hill and; “Various diagrams of machines patented by him in Manchester. They consisted of a self-acting vertical boring machine, self-acting planing-machine to cut both ways and in all the angles, apparatus for chambering holes after drilling for blasts, and a patent winch— the latter two being accompanied by models; a self-acting boring and turning-lathe was also exhibited by Mr. Roberts”.


My Gt. Gt. Grandfather, Edward Simpson Snr, a Stonemason
from Suffolk England, Former Surveyor of South Dunedin,
and an Exhibitor at the Exhibition. Shown with his wife Lucy
and a Grandchild, taken early 1861.
[From my own collection]


Minerals, Natural Resources & Plants

A gilt “octohedron” representing the 22 tons (600,000 ounces) of gold obtained in the Province since the first discovery in 1861; samples of gold from Wetherstons, the Dunstan, the Arrow & Lake Wakatipu district, Lammerlaw, Tuapeka, Coromandel, and the Australian fields; a collection of named minerals including garnets, chromate of lead and potash from Dr Hector, the Provincial Geologist; a collection of fossils; “only a few” examples of wool, blocks of lignite and coal from Clutha, the Grey River, Canterbury, Tokomairiro, Saddle Hill, Buller, including examples from throughout New Zealand; chrome, copper. Malachite, cutlery made in London from Taranaki black iron sand; examples of polished native woods and furniture including black pine from “Stewart’s Island”; stone building materials; carved chimney pieces and samples of stone from the Caversham Quarry; flooring tiles, bricks, flower pots, drain and roofing tiles, lime stone blocks; stones and shells from Invercargill; grey and black granite from the Bluff; Blocks of Waikava (now known as Waikawa) stone by Mr E. Simpson,“The whole of the stone was well worthy of notice – that from Waikava especially so from its apparent hardness and durability”; marble from the Horse Shoe Ranges and after manufacturing into lime mortar; chrome ore, Moeraki sand, currant wine “made from fruit grown in the Octagon”; [In the centre of the second room] a “fount” [font] constructed of the same stones used in the building of the new Episcopal [Anglican] Church, i.e. blue Caversham and Look-out Point stone; wool, alpaca wool; and New Zealand woods.

Dunedin Horologist Mr Arthur Beverly
"One of the cleverest men in early Dunedin"
[Source : Toitu Otago Settler's Museum]

 
Manufactured Goods (for the Public)

A cased display by Mr Beverly of watches and jewellery including, “a fine clock with a lever movement patented by Mr Robertson of his establishment”; “beautiful” brooches, rings and carved ivory; flour and bread “from mixed colonial flours”; Dunedin made soaps and candles, hogsheads of ale from the Well Park and Water of Leith Breweries; “elaborately finished saddles”; New Zealand leather and “well-made boots”, New Zealand candles and soap, inlaid tables and wood carving of New Zealand woods, and “prepared” New Zealand flax.

Labour Saving Items for Home use

Demonstrations of sewing machines including Singer, Thomas, Wheeler and Wilson brands, being the only “machinery in motion”; “Bradford's” washing, wringing, and mangling, carpet sweeping machine, French and English knife cleaners, apple papers, slices and covers, Archimedian and rotary egg whisks, American cheese press and churns, knife cleaners; triturators [mixer]; sausage meat cutters and fillers, coffee mills; apple-parer, corer and slicer; egg whisks.

Flora and Fauna

Fresh specimens of native ferns and shrubs, a display of native mosses, sea weeds and ferns; carrageen (Irish) moss from near the mouth of the Tokomairiro; “perfect” dahlias and other flowers cut from turnips; “strings” of native stuffed birds prepared for presentation to a museum; Australian birds and a penguin; seedling apples from Tokomairiro; and samples of wheat & seeds.


The Engraving of the Act of Separation and Deed of Demissionm
of the Free Church of Scotland, 1843
[Source : Wikipedia Commons]


Photographs, Engravings & Paintings

Old paintings and drawings, architectural drawings including of the new Customs House then being erected, a portrait of the Rev. Dr. Burns “the father-pastor of the Province”; stereoscope photos of New Zealand bush scenery; an engraved copy of “Act of Separation and Deed of Demission of the Free Church of Scotland” held in Edinburgh 1845; and a lithograph of (the new) St. Pauls Episcopal Church.

Antiquities & Articles of Historical Interest

Bronzes and antiquities; old Roman coins; Chinese boxes and textile fabrics including “handsome silks from the Emperor of China’s wardrobe, taken at the loot of the Summer Palace”; Maori relics including a canoe, the front bow of a boat, a baler, and “Maori axes and relics from a grave at Murdering Beach”; moa bones; fossils, and fossil wood; thirty-two autographs of eminent persons including those of Her Majesty Queen Victoria, The Duke of Wellington, Sir Robert Peel & Charles Dickens.

The Great Success of the Exhibition

The gross proceeds amounted to about £1,200 and with expenses not exceeding £200 the net amount in aid of the building fund would amount to between £950 to £1000 (approaching $145,000 in today's value)

With needing to open the same day as the Bazaar, and additionally being in borrowed accomodation, time and space were against the Committee, but; “enough has been done to arouse a general feeling of interest… and the Committee have gained practical experience of how to make an organized effort hereafter.”

A final report, written by the Exhibition Secretary Mr Alfred Eccles in December 1862, notes it’s great success and alludes to a future much larger Exhibition :

With the Bazaar opening on the 16th December it was necessary for the Exhibition to open the same day. While the time to organize the Exhibition was “far too short” the committee had intended the Exhibition to be a mere “annexe” to the Bazaar ;

but the idea was received with so much fervor by the public, and attracted so much attention in all the other provinces, that the chief embarrassment of the committee was to find a proper place for the reception of the numerous and valuable articles promised, and they confidently hope to see held here in the ensuing year an exhibition worthy of the whole colony, and which shall truly represent the progress and resources of New Zealand generally”.

The [committee] trust that the goodwill so freely expressed from neighbouring Provinces, and the experience gained on the present occasion will not be lost, for they feel assured that if a proper building for this and similar purposes, were erected, an Exhibition on a far larger scale would be successful, and they believe that Otago in her new position could in no way more readily secure the respect and confidence of the other Provinces than by taking the lead in this and kindred movements beneficial not only to herself but to the whole of New Zealand.


The Much Larger 1865 Exhibition Building
in Great King street, Dunedin
[Source : Wikipedia Commons]


Planning for the Larger 1865 Exhibition

After the great success of the Industrial and Mining Exhibition of 1862 it should come as no surprise that planning would quickly commence on a much larger Exhibition, also to be held in Dunedin. Based on the interest shown in the 1862 Exhibition, the interest of the public, and the support of the Provinces, the success of a larger event could now be practically guaranteed. International participation would also be sought which was readily forthcoming. And this event would undoubtedly raise Dunedin’s profile as a business and commercial centre and secure for local investment some of the money now flowing out of the Otago goldfields. 

After securing Government and Provincial funding of a commendable £4,000 for "general purposes" and another £4,000 to build a suitable venue (totalling over one million dollars in today's values), a purpose built permanent Exhibition building would be erected in Great King street. “The New Zealand and South Seas Exhibition” would open on the 12th January through to the 6th May 1865 with 31,250 visitors viewing 1,600 exhibits from 700 exhibitors. The work - and optimism - of the organizers would be richly rewarded and the event would prove to be a resounding success. 

Dunedin would then go on to organize two further and highly succesful Exhibitions, in 1889 to 1890, and 1925 to 1926. 


All Rights Reserved

Bibliography & Sources :

- "Papers Past" [National Library of New Zealand / Te Puna Mātauranga o Aotearoa]
- GenFram Image Collection (held by the writer)
- Te Papa Tongarewa / Museum of New Zealand
- National Library of New Zealand / Te Puna Mātauranga o Aotearoa
- Hocken Collections / Te Uare Taoka o Hākena
- Toitu Otago Settlers Museum
- Wikipedia Commons

Sunday 11 August 2024

Larnach Castle - The Purdie Years (1927 to 1940) - Part One

 

Larnach Castle as it appeared in an Edwardian era
tinted postcard printed in Saxony, Germany, circa 1910
(From my own collection) 


The Year is 1927

It was a wreck. It had been neglected and vandalized. Thieves had stripped valuable material from it. Rain poured in through holes in the roof. Trees grew out the windows. It was derelict". 

These are the recollections of the late Mrs Lorna Hormann (died 2012, aged 101 years), whose Aunt and Uncle, Mr & Mrs Jackson Purdie, would be the successful (or would one say foolhardy?) purchasers of Larnach Castle located near Dunedin on the South Island of New Zealand. The Government had now finally sold their 'White Elephant', the long vacant, four-storied, 34 roomed, 43,200 square foot Scottish Baronial styled Gothic Revival ‘Castle’, complete with 70-foot crenelated tower, built 1,000ft above sea level high up on the oft mist shrouded Otago Peninsula hills. The Castle by now also appears to have been shorn of a significant architectural element shown in the above Edwardian era tinted postcard view. But more of this later. So, what had brought about such a sorry state of affairs for this once grand and opulent Gentleman’s residence?

A Number of Highs and Lows

In this six part Blog series, I shall attempt to illustrate something of the day-to-day life of Larnach Castle, including a number of highs and lows, during the period of Purdie family ownership when they attempted to rehabilitate the Castle back to something of its former glory. Illustrating this story are a number of period photo views and modern views when these are relevant to the narrative. But while the Castle enjoyed a significant revival in fortune of which Businessman and later Parliamentarian the Hon. William James Mudie Larnach, whose vision had brought this grand residence to reality would surely have approved, it would certainly not all be plain sailing. I suspect the current Trustees may also sympathize with this statement. It should be noted here that while Mr and Mrs Barker purchased the Castle in 1967, it is now administered by a Trust.


Larnach's Crest with "The Camp" and Wild Cats Rampant
permanently set in Encaustic Tiling in the foyer

 The Architect

Historian A.H. Reed states that the property "came into Larnach's possesion in April 1871" but this is not correct, as Biographer (and Larnach descendant) Mrs Fleur Snedden, in her comprehensive publication "King of the Castle", confirms the date on the deed as the 19th January 1870. After plans had been prepared overseas, construction was then overseen by noted local Architect Robert Arthur Lawson. Biographer Norman Ledgwerwood notes that there has been no clear concensus as to how much input Lawson had in the final design and opinions differ widely but writes; "evidence has been discovered which indicates that Lawson was deeply involved in the final design of the building and his drawings have survived". It is not my place to get into this debate!

Erected 1871

"Erected 1871" can be seen on a shield in the building, the Castle now officially attributing 1871 as the construction date. Heritage New Zealand confirm that the 'foundation stone' for the building was laid in August 1871. This date differs from some other published sources but I note that Mrs Snedden also confirms from an old diary record (a primary source) that sawing work had commenced "for Larnach's house" as early as January 1871 and that the family moved into the "far from finished" house in 1874.

Fallen on Hard Times

But the Castle, and which Larnach unpretentiously named “The Camp” after his original dwelling on the site, would after his death, fall on hard times. This was truly a sad state of affairs after the industrious labour of 200 men having spent three whole years on its construction followed by another 12 years with skilled artisans fitting out and embellishing the opulent interiors, all up at a cost (reputed to be) approaching an eye watering £125,000 [around NZD $20.6 million dollars in today’s values].

Stripped of Anything Saleable

After Larnach’s untimely death in 1898, the Castle would be put up for sale by auction in April 1900. But the reserve of £10,000 was not met with the property then being passed in. In October 1901, and after having briefly served as a holiday retreat for a community of Dunedin Nuns, ownership would pass from the Estate Trustees to Larnach’s son Donald who, within the space of a year and through financial necessity, disposed of the stock, plant, carriages, and most of the Castle furniture. The sale of Larnach’s substantial library and which attracted keen buyers, would be described as, “probably the largest of its kind ever held in the colony”.

The Abode of Moreporks and Ghosts

Even now, the ‘Witness’ newspaper described the Castle interior as; almost wrecked by the removal of everything, such as mantlepieces, grates, and carved woodwork etc…. The once beautiful residence and grounds of the late Hon. Mr. Larnach will soon be an artistic ruin, the abode probably of moreporks [owls] and ghosts”. (actually, more of 'supposed' Castle ghosts later).

An Asylum for Criminal Lunatics

A major change in ownership would come about in January 1906 when Donald Guise Larnach sold the Castle and grounds to the New Zealand Government for £3,000 ($624,000 in today’s values) to be used as a “Mental Hospital” or as the newspapers of the day termed it; “an asylum for criminal lunatics”.

After vehement protests from local resident’s, usage was amended to; “borderline cases not entirely suitable for either hospital or mental asylum”. While a fifteen-foot fence was to be erected around the property not only “for the safe-keeping of the patients” but also to attempt to allay the fears of the local residents, I am now very reliably infomed that this was in fact never built. And thus the Castle served this purpose, housing between 60 to 70 men until the First World War period when the inmates, being mainly elderly patients, were transferred to the rambling Seacliff Mental Hospital (a design of the above-mentioned Architect, Robert Arthur Lawson).

Biographer Hardwick Knight averred that “Larnach took great joy from his extravagant home, although his wives probably saw it as more like a prison.” The Castle ‘inmates’ would certainly have viewed it as such had the suggested high perimeter fence been built. It would be interesting to know more about day to day life at the Castle during this period in its history but that's another story.

Military Convalescent Use – then Abandonment

At least until 1918 the Castle also housed shell shocked soldiers from World War One, military convalescent use having in fact first being suggested as early as December 1915. But after 1918, and with no longer having any relevant use or purpose, the now empty and forlorn Castle entered a sad, slow, downward spiral with an increasingly uncertain future. The "Medical Superintendent" at Seacliff appears to have retained oversight of the Castle, including access, right up to the time it was finally sold.


Larnach Castle Advertised For Sale, April 1925
[Credit "Papers Past"] 

Vandalism and Theft

Mrs Margaret Barker, in her comprehensive 2006 publication, "The Gardens of Larnach Castle", notes that a “Mr Nyhon”, and who lived at the Home Farm on Camp Road a distance below the Castle, had been appointed as “Occasional Caretaker”. But now being unoccupied, only occasionally let for events, and without someone being permanently onsite, the abandoned Castle now “suffered much from theft and vandalism”. 

No Buyers

After having somewhat forgotten about their 'white elephant' the Government finally put the Castle and grounds up for auction in April 1925 but no buyers were forthcoming. The Medical Superintendent, however, still allowed public access to the Castle and grounds after this date. 


A reasonably clear circa 1910 photo of Larnach Castle
showing the ornamental roof balustrade features.
[Credit : Te Papa Tongarewa]

Shorn it’s Decorative Iron Roof Balustrade

By this date the Castle appears to have been shorn of its distinctive decorative ironwork roof balustrade with small finials above the (originally open-air) verandas. The balustrades originally extended around one foot above the existing ironwork over the windows with small approximately four foot high square shaped ironwork ‘towers’ on all four corners surmounted by flagpoles which were later replaced with round pointed finials. Quite why these ‘towers’ and the balustrade itself were removed when the ironwork over the windows remained I do not know although parts of the latter are in fact structural elements supporting the veranda. I can only surmise that, in Government ownership, the cost of maintaining the no doubt now rusty balustrade was considered excessive and unnecessary. And had any part fallen it could be deadly (my own family home had this issue with iron finials, hence their complete removal for safety reasons). But you can still see two of the round finials that once sat atop the corner ‘towers’, one over the Wishing Well in the peaceful and secluded back garden and one (now painted gold) sitting atop the garden cupola. I was surprised to find that the finial over the Wishing Well was in fact metal plate and I assume the one over the cupola is likewise metal rather than wood. If they are not the originals they are certainly perfect copies in all respects.

The Government Finally Rid Themselves 

of Their ‘White Elephant’

The Dunedin City Council are reported by Historian A.H. Reed, to have considered purchasing the 35 acre estate “as a recreation area” but in May 1927 decided to proceed no further. The Government now firmly resolved once and for all to rid themselves of this unwanted and deteriorating edifice. On the 19th August 1927, the Public Works Department, and on behalf of the New Zealand Government, again put the Castle and grounds up for public auction. 

Any purchaser would need to have not just vision in what the Castle could (again) become, but also deep pockets to fund overdue restoration of the building and grounds as well as ongoing maintenance costs. This needs to be put in the context of the time, and while the Great Depression only commenced in 1929, in hindsight the chances of a permanent change in fortune were probably not that great.

The auction took place in Dunedin on Friday the 19th August 1927. Newspaper reports the reserve to have been set at a curiously uneven £2,912 10s ($357,600.00 in today's values). But again, as in 1925, and despite "a fair attendance", no bids were forthcoming and the property was passed in.

But Just a Week Later...

 But for a reason that currently eludes me, the property was yet again put up for auction on Monday the 29th August 1927;

"Larnach's Castle property was offered at public auction at Dunedin on Monday by the Lands Department, on behalf of the [Ministry of] Works Department. The upset price was the same as that asked at the former auction—£2912 10s. From this amount the bids rose by £25, then dropped to £5 and £1 bids, but towards the close, rose again to £l0 offers. The bidding, though brisk, was confined to three persons. The property eventually fell to Mr J. Jackson Purdie's bid of £3600 [$441,700 in today’s values]".

He Could Have Saved Himself £700

That Mr Purdie could have obtained the property just ten days earlier and saved himself the tidy sum of just under £700 is indeed curious as is the fact that the property was again offered up for sale so quickly after the first auction. While the Government may have realized there was in fact some serious interest in negotiating a post-auction sale the reserve for the second auction was set at the same amount as the week before so they were certainly not budging an inch. Historian Hardwicke Knight states that Mr Purdie obtained the property by "private treaty with the Government" but this is not correct, it was bought at auction. 

The only rational explanation I could put on this curious situation is that Mr Purdie, along with the other two bidders, had imagined the Castle would be sold at a price well over the reserve so were not at the first auction or at least did not have their finances in order. They now saw their opportunity, and possibly like Mr Purdie, made a post-auction offer as, if sold close to the reserve price, it might actually be within their grasp. The Ministry of Works may then, due to this sudden late interest, have decided to hold another auction in order to more easily facilitate a sale between the interested parties. And I wonder who the other two unsuccesful - but keen - cashed up bidders were? 


John Jackson Purdie,
Taken 25 Dec 1927
[Credit : Mrs L. Hormann]

A £125,000 Castle for £3,600

The successful purchasers, and someone with sufficiently deep pockets and vision, would be Dunedin Wood and Coal Merchant Mr John Jackson Purdie (b.1883) and his wife, Mrs Laura Mortimer Purdie née Duncan (b.1887). The purchase price of £3,600 ($441,700 in today’s values) was a far cry from the purported £100,000 construction cost and £25,000 on “decorative embellishments and the grounds” that Larnach had originally expended on the property. But the Government would have been glad to finally rid themselves of what had become nothing more than a crumbling liability with no purpose.

All Rights Reserved

To Be Continued....

This six part Blog series will now continue at a later date (to be advised) and will follow the Purdie family ownership of the Castle following a more or less consecutive timeline through the highs and lows for this period. I will add a link here when this instalment is posted.

Corrections : This history has been compiled from a comprehensive range of secondary sources. I have, however, noted the occasional small discrepancy. Correction of any unintended errors and any relevant additions in relation to the time period in question are always welcome. Please email me (quoting your source) using the "Email Me" button in the right-hand menu bar. Thank you.

Bibliography & Sources :

- “King of the Castle” by Fleur Snedden 1997 (from my own collection)
-“Larnach and His Castle” by Alfred H. Reed, 1950 (from my own collection)
-“The Ordeal of William Larnach” by Hardwicke Knight, 1981 (from my own collection)
-"R.A. Lawson Victorian Architect of Dunedin" by Norman Ledgerwood (from my own collection)
-“The Garden at Larnach Castle” by Margaret Barker, 2006
- Larnach Castle Staff & Website https://www.larnachcastle.co.nz/
- McNab Room Collection & Librarian, Dunedin Public Library
- "Papers Past" [National Library of New Zealand / Te Puna Mātauranga o Aotearoa]
- (Published) Recollections of Mrs Lorna Mortimer Hormann (née Duncan), 2010
- “The Press” Newspaper, Christchurch
- American Express “Insight” Magazine
- Miss MTL Watson / GenFram Image Collection (held by the writer)
- Te Papa Tongarewa / Museum of New Zealand
- National Library of New Zealand / Te Puna Mātauranga o Aotearoa
- Hocken Collections / Te Uare Taoka o Hākena
- "Treasures of the Dunedin Public Art Gallery" by Peter Entwisle, 1990
- Lemuel Lyes Photograph Collection (used with kind permission)
- Images from my personal collection